| Opus 1 |
First concerto for Cor alto or Cor bass. with
a double principal part and orchestra |
Paris, Zetter. |
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| Opus 2 |
Sonata for piano and horn |
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| Opus 3 |
Sonata for horn & harp |
Choudens |
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| Opus 4 |
Three grand trios for horn in E |
1 & 2 - Billaudot
3 - Carl Fischer |
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| Opus 5 |
Musicale tableau or scene in duo for piano and horn |
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| Opus 6 |
Three quintets for horn, two violins, viola, ‘cello |
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| Opus 7 |
Duo for horn and piano |
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| Opus 8 |
Six Quartets & Six trios for hornist in different keys for |
Birdalone Music |
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| Opus 9 |
Second concerto for Cor bass. in F |
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| Opus 10 |
Grand Sextets for horns in different keys |
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| Opus 11 |
Three solos for Cor alto and Car basse with a double accompaniment
of piano or orchestra |
Edition
Hans Pizka |
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| Opus 12 |
Two solos and a duet for Car basse in D and Car alto in G,
with accompaniment of piano or orchestra |
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| Opus 13 |
Six
grand duos for horns in Eb |
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| Opus 14 |
Twenty duos for horns with mixture of keys |
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| Opus 15 |
Trios for two Cors altos in G and F, and a Car basse in C
with accompaniments for piano or orchestra. |
mslip.com |
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| Opus 16 |
Three solos for Cor alto in E and three different scales |
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| Opus 17 |
Three solos for Cor alto in E and three other scales |
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| Opus 18 |
Third concerto for Cor alto and Cor basse in E |
Ostermeyer |
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| Opus 19 |
Fourth concerto in F in memory of Punto |
Ostermeyer |
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| Opus 20 |
Two solos proper to the two types |
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| Opus 21 |
Fifth concerto f or Cor basse in E |
Ostermeyer |
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| Opus 22 |
Scottish air (from La Dame Blanche) variation for horn and
harp |
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| Opus 23 |
First
theme variation followed by a rondo-bolero with accompaniment
of piano or orchestra (published as vol . A & B) |
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| Opus 24 |
Second theme variation ending in a rondo |
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| Opus 25 |
Three melodies for horn & piano |
mslip.com =#3 |
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| Opus 26 |
Grand trios for horns |
Ostermeyer |
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| posth. |
concertino (1825) |
Ostermeyer |
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Ballet |
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Symphony |
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